Canon Powershot A620 7.1MP Digital Camera with 4x Optical Zoom
From the Manufacturer
With 7.1 megapixels, the A620 incorporates a host of high-end features normally reserved for G-series PowerShots. The DIGIC II processor drives a fast, responsive performance, and–in combination with the camera’s 4x optical zoom lenses–delivers superior image quality. A wide range of manual, automatic, and special scene modes offer flexibility, creative control, and simplicity when required. The camera also features a 2.0-inch vari-angle LCD, My Colors, and a macro mode that allows photographers to get as close as 1 centimeter. VGA movies at 30 frames per second can be created. A complete range of optional accessories, including wide and tele-converters and waterproof case, extends shooting flexibi…
Related posts
Tagged with: 7.1MP • A620 • Camera • Canon • Digital • Optical • PowerShot • Zoom
Filed under: Digital Cameras
Like this post? Subscribe to my RSS feed and get loads more!
My camera is the A620, but the A610, except for lower pixel CCD, is the same. The first priority for a snapshot camera is SPEED. This one has it in spades. Very fast shot-to-shot and negligible shutter lag. The first priority for a hobbyist camera is manual control. The A6×0 has Auto, program and many preset scene modes. It also has shutter priority, aperture priority and full manual mode. Computer imaging enthusiasts will be disappointed that the A6×0 cameras do not provide RAW picture format, but it does produce excellent detail in Fine JPEG mode, and I think many in even that group would be satisfied. The lens is excellent for such a small camera. It is fast at f4.1 on the telephoto end of the zoom, very important for family photographs outdoors (fewer blurred photos of children or pets at play). Really good ISO400 results for even more speed. Color and white balance is excellent, right out of the camera. Photos are vivid and life-like. The flash is small, so if you use that a great deal I recommend something like the Sony slave flash which attaches to the tripod fitting on the camera. The zoom works fast. The controls are well laid out, and the camera is easy to handle (my hands are fairly long, I’m 6-2). The menus are easy to use and quick to find. I have not needed to open the manuals, so I can’t comment on those. The LCD is bright, and preview mode is fast (the swiveling LCD is fantastic). The optical viewfinder is adequate and bright enough (about 80% coverage, I think). The camera fits in my shirt pocket, but with quite a bulge. Buy a larger SD card because the 32mb card with the camera only holds 9 photos at best quality. AA batteries are convenient. Get a good set of rechargeable batteries with a set of cheap alkaline for backup, and you are ready to go (good battery life here). I have not used movie mode and I might never do so, though I hear it is very good; there is a printer output that I do not use; the camera comes with software that I do not use, so I cannot comment on those three things.
The door for cable connections is flimsy. I opened it once and had trouble closing it. Had to force the top clip to engage. Buy a card reader ($10 or $20) and forget about the cables. Overall, great camera and great photos.
This is an outstanding small camera. It is difficult to call it a “point and shoot” considering the number of advanced options. It has most of the core features offered on even upscale 35mm cameras just a decade or so ago, updated for digital. Regardless, those seeking family shapshots will find it very easy to use (the “basic” users guide covers everything), while the more advanced features (covered in the “advanced” users guide) will appeal to more serious photographers. In addition to the standard shooting modes (full auto, aperture priority, shutter priority, full manual, and so on), one will find complete control of white balance, numerious pre-programmed color modes along with full color adjustment, the ability to use auxiliary lenses and filters, and more.
Picture quality is impressive for such a small camera – better than any 35mm point & shoot camera ever used. Images are sharp, with colors vivid and accurate. Focus and exposure metering are spot on (even more so with spot metering and selectable metering zones available). Lens aberrations (barrel distortion and edge blurriness) are virtually undetectable in “real-world” photos. Purple fringing, a problem with some digital CCD sensors, is not a major issue here.
The flash is perhaps the weakest point of this camera. Not horrible, but obviously could be better. Like most compact cameras, red-eye with flash pictures can be a problem. There is a red-eye reducing flash mode and the camera has a built-in filter to address this, but neither fully eliminated the problem with all subjects. An external slave flash, such as the Canon HF-DC1 or more fully featured Metz 28 CS-2, may offer some relief in this regard. But, even if one eliminates the red-eye problem, the flash is still too weak, located too close to the lense, and not automated enough – too often resulting in over-exposures, vignetting with close subjects (even more so with the conversion lenses), and not enough light for distant subjects. One is almost forced into existing light photography with this camera, but the results are certainly worth it.
The Canon .45x wide angle (WC-DC58N) and 1.7x telephoto (TC-DC58N) conversion lenses are a blast to use. As explained in the “advanced” users guide, these require a special lense adapter (sold separately) attached using the bayanet mount hidden under the large metal ring at the base of the primary lense. The ring is removed by pressing silver button on camera body to the bottom right of the lense. These two increase coverage from 24mm wide angle to about 245mm telephoto. However, vignetting prevents the use of the entire zoom range. With the telephoto, for example, vignetting starts just below 80-90mm, limiting use to above that – offering a zoom range with the conversion lens of roughly 180-245mm. The lense adapter also accepts standard 58mm filters, but many (light correction, color effects, and so on) can be simulated in the camera.
I did extensive research (magazine and user reviews, as well as several trips to the camera store) before deciding on this particular camera. In that process, I was able to narrow the list of possibles down to six – this camera, the FinePix E900 (weak low light focusing), the PowerShot S80 (strange lens adapter and too easy to accidently turn on), the Cybershot DSC-V3 (discontinued in this market, but still available if one hunts), the Olympus SP-350 (somewhat sluggish performance), and the Pentax Optio 750z (weak viewfinder, weak focusing, and somewhat sluggish performance). None of these other cameras performed especially poorly, which is why they made it into the final selection list. So, even with the minor issues noted, any of them would be a good choice. However, this camera, the PowerShot A620, just seemed to do almost everything well – ultimately making it the best choice in this camera category.
Note: Several reviewers here have expressed doubts about the soft plastic door over the USB and A/V connectors. When I mentioned this to a repair tech at a local camera shop, he allowed me to try pulling the door off a store damaged camera (dropped flat on it’s face on the hard tile covered cement floor). While I’m sure the door will come off if pulled hard enough, it is a lot tougher than it appears.